This is pieced together from work Newman did for a memoir project earlier in his life that he never ended up finishing. It does help you feel like you know him as a person, and in compiling it they've done a good job of bringing in a few other voices from other people he had interviewed. This isn't an industry memoir. The first half or so is his life before fame, and the second half is less linear story and more anecdotes and thoughts around particular topics. I didn't mind it, and Jeff Daniels reading it is a nice choice. Newman often had a shitty opinion of himself - spent time in therapy examining his life, his marriage to Joanne Woodward, his parenting, his acting, etc. Given this psychological record, Newman refuses to take credit for his much-praised philanthropy. Although the salad dressing sold as Newman’s Own generated millions for charitable causes, he winces at the way he marketed his celebrity on the shelves of grocery stores and suspects that his altruism came “from having no civic impulses at all, just inventing them the way I invented everything”. Presumably that also applies to his political activities in support of candidates who opposed the Vietnam war; though he voted Democrat, Newman defines himself as “an emotional Republican” – hard faced and self-contained or, as a college crony says of him, “tough and cold”, even “devilish”. You read a celebrity biography/autobiography you would like to know the person, the personality, Newman shows not much personality, a very private and quite person, no mention of co-stars, many films not mentioned at all, no mention of The Towering Inferno at all. Throughout Newman's account of his life (narrated very well in audio by Jeff Daniels), there is a sense of real loneliness, at feeling like he wasn't always in control of his own life, and that he resented the intrusion of fame. He found it boggling how women eventually found him to be such a sex symbol, as he couldn't get a girl to even talk to him until after he had been discharged from the military. There were a lot of fascinating moments in this book: reading about his relationship with his parents (his mother treated him mostly like a prop and once he was married to his first wife, insisted they sleep in twin beds), his family's complicated relationship with Judaism and how he was the rare actor who chose not to change his name, his time working with Lee Strasberg and the Actors Studio, his relationship with Joanne Woodward, the comparisons to Marlon Brando and James Dean, etc., plus the information from his daughter about his philanthropic efforts.

Melissa Newman said that they considered withholding her father’s reflections on Scott from the book, but decided “it was time for it.” The one thing I’ve always admired is excellence. I recognize it in almost anything: plumbers, museum guides, limousine drivers, bank tellers—I delight in seeing it. Maybe we choose those arenas in which we have the best chance for excellence. For me, maybe that’s acting, or being somehow connected to the theater, or capitalizing on the way I look, or fooling people” In a new memoir, the late cinematic icon Paul Newman shares some insight into his complex relationship with stardom–and specifically with the role his appearance played in his own fame. You work what you consider pretty hard at your craft, and you're getting to the point where you're just starting to feel kind of good about yourself, and then somebody says, 'Oh, God, take off your sunglasses so I can see your baby-blue eyes!' " Newman said, in an excerpt from the book released by People.

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Newman's often traumatic childhood is detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward - their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. I thought I knew quite a bit about his life. Turns out, I knew next to nothing. From the long standing affair he had with Woodward, prior to his divorce and marriage to her, to the death of his beloved only son, I learned so much about his upbringing, his marriages, parenting and most importantly, his philanthropy. Per his daughter, “his obituary in the economist noted he was the most generous individual, relative to income, in the twentieth century history of the United State. He was also incredibly loyal to his friends and helped beyond what most people would do. I know of a few times he gave up part of his salary to his co-stars to level the playing field. He strove for fairness in all things.” A stint in the U.S. Navy flying as a radioman gunner during World War II put some meat on Newman’s bones — he grew 5 inches to 5-foot-10 — and forced some maturity on him. The service also gave Newman ample opportunity for some serious boozing and tomfoolery, neither helping him overcome his belief that he was a poser. Paul Newman was an ordinary man gifted with extraordinary good looks and extraordinary talent. Even if (in his own words) he probably would not accept that he had any talent at all. And that was the least of it. The Sully of my novel was based on my father, who was absent during much of my young life (as Paul apparently was through much of his son’s). He became interested in me when I was old enough to occupy the bar stool next to his. It was only during the years when I returned home from college to work summer road construction that we became close. When he died, I was stunned by the size of the hole his absence left in my life.

Memoir is loosely applied here. This is the transcript of a recorded series of conversations between Paul Newman and screenwriter friend Stewart Stern in the late 80s- early 90s that two of Newman's daughters published years after their father's death, with added bits and pieces from other friends, family and industry colleagues to round out the anecdotes and memories. In this way, it is mostly Newman's own words, but it's impossible to know if this is how he would have chosen to present his story and his voice. An excessively private man he started to make notes for an intended Memoir and then gave it up. His children found much of the documents long after his death and decided to share it with the public. Since they are his children they would know better than I if he would be pleased about this or not – considering he passed away so many years ago, maybe now he couldn’t care less. The ultimate cool guy, who men wanted to be like and women adored. He was an American icon, a brilliant actor, a Renaissance man and a generous but modest philanthropist ... Newman entertained millions in some of Hollywood's most memorable roles ever, and brightened the lives of amny more, especially seriously ill children, through his charitable works.' Arnold Schwarzenegger

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Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward--their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually.