Joined in 2023 
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Oh Me Oh My by Lonnie Holley Springing from Lonnie Holley’s enduring ability to render his lived experience into song forms and narratives that look to open-heartedness, beauty and trauma within the same assemblage, Oh Me Oh My comes as another vital chapter of his recorded works. With the likes of Michael Stipe, Jeff Parker, Moor Mother, Sharon Van Etten and Rokia Koné accompanying the LP, a wealth of approaches add to Holley’s genre ferment, which places a present tense, non-simulacra form of blues at the forefront. Moving between refrains and narrative threads, and as content to hit on grooves as it is to pull at the heartstrings or move towards the outer limits (“Future Children”), this one’s another worthy listen from an inimitable artist.–JH
It’s a side project I started before I put any music out. HIJINXX was the name for my visual archive. My ex-step dad used to love a skater called Beagle, who did this thing called Hijinx. It’s basically documenting the good side of life, but also the chaotic. I created that name because I wanted somewhere for visual work and music. In future, I would love to put together my own mini documentary and release it under HIJINXX.I moved out when I was 16-years-old and I feel like that inspired my journey a lot. It was a transformative period. I went through a lot of stuff at that age and needed an outlet to express what I’d been through. It sounds cheesy, but music did save me in a way. I’m not good at expressing myself in other ways, so I started writing. That’s why I have so many lyrics from that age because I was very emotional. I started creating as a form of escapism. That period showed me what I wanted to do, because before that, I was just going through the motions. People told me music wasn’t realistic, but now I’m getting to a point where it feels like I can really do this. Definitely. I never want to force anything. When I’m not feeling productive I will go and do something else that’s not music because I want my music to be authentic. I don’t want to force a beat out. I feel like you should always vibe to your music. With my debut EP, I listened to it for a whole year without anyone else hearing it. Making sure I love my music is the most important thing to me. Thank you! Before I made jungle I used to make boom bap hip-hop blended with neo soul. I love the sound of jungle drums, so I try to put my melodies and sounds on top of them. It’s something that we already knew; on her releases to date, particularly the EPs Headz Gone West and Forbidden Feelingz, everything from her sample selection to the effervescent energy of her work suggests an unbridled passion for her genre of choice, one born of her Jamaican heritage but solidified when she crossed the Pennines to Manchester and immersed herself in rave culture. Read next Haha, yeah! My nanna influenced a lot of my early music because I spent a lot of time with her. I used to go to her house and she would have a big sound system. In Caribbean culture everyone has a sound system in their house. My nanna would always show me tunes. She put me onto bare disco, rare groove, soul and funk. It’s mad how all these little influences changed the way I listen to and write music.
Yeah. I wrote Crossroads when I was 17-years-old. I’m not sure what was going on at the time, but somehow I wrote enough tunes for a whole album. I’m slowly trying rework all those old lyrics. Crossroads was originally written over a boom bap beat. It was one of the first beats I started, but the final beat I made last year. It’s all about experimenting and having fun. If you’re not enjoying your music then what are you doing? I see making beats like playing a video game where I’m trying to get all these little sounds to match. It’s like going through levels. Especially with the way I make my drums, I have this formula I do to create the sound I want.Nia Archives is a multi-talented artist, excelling in the fields of music production, singing, songwriting, and visual artistry. With a diverse range of skills and talents, Nia brings a unique perspective to her craft. Her ability to seamlessly blend different genres and styles sets her apart from other artists. Whether it's creating captivating melodies or crafting thought-provoking visuals, Nia consistently delivers exceptional work that resonates with audiences worldwide.
This is UK Grim, put it in the bin,” Sleaford Mods’ Jason Williamson quips in UK Grim ’s self-titled opener. 12 albums in and the Nottingham duo haven’t swayed too far from their aggy post-punk electronica, but UK Grim firmly stands its ground. Its charged-up tales of tales of robbing the till at work, a recovering addict’s nostalgia for drugs and constant jibes at the powers-that-be rattle alongside Andrew Fearn’s minimalist beats–putting centre focus on Williamson’s gripes. With additions from Dry Cleaning’s Florence Shaw (“Force 10 From Navarone”) and Jane’s Addiction’s Perry Farrell (“So Trendy”), UK Grim isn’t revolutionary, but a needed sneer at the country’s current state of affairs.–BR
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I’m still processing that too… I’m glad people are vibing to it. I’m happy it’s released because now I can start making new music. Releasing music is a physical process, but it’s also a mental / emotional process getting it out there so that I can move on. I’ve got a couple of remixes coming up and I’m working on my next EP. After that, I’d love to start looking towards an album. Next year, I want to really delve into gigging and continue creating. I’ve got so much music in the archives ready to go, it’s just a case of working out how I want to present it. I see each music project like an art piece. It’s not just the music, it’s also the visuals complimenting it. NiaArchives:‘Baianá’ is from another EP, which is going to have a really different feeling to the last one. That was a club record; the next one is going to be the sameNiaArchives, but a lot more refined, a lot more focused on the songs. Half of them, I’m like, “Oh my gosh, I can’t believe this is jungle.” And it is! It’s still 170bpm, but there’s just a lot of musical elements to it. I want the first album to be really special; Lauryn Hill only made one, but it was so iconic! I’m aiming for that level of musicality. Maybe next year. That’d be amazing. In This Article:
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